20 something. Student. Bisexual. Ancient African Spirituality. Queen sized. Black and proud. Vegan. :-)
~ Sunday, August 31 ~
Permalink
t0-n3ver-land:

"She was showing cleavage she deserved it" Women should be able to wear whatever they want without the worry of being raped because men apparently ‘can’t control themselves’. No, they just don’t know what #consent is. #feminist #realist #rapeculture #society #rape #slutshaming #protest #womensrights #equality

t0-n3ver-land:

"She was showing cleavage she deserved it" Women should be able to wear whatever they want without the worry of being raped because men apparently ‘can’t control themselves’. No, they just don’t know what #consent is. #feminist #realist #rapeculture #society #rape #slutshaming #protest #womensrights #equality


488 notes
reblogged via tori-tesfaye-xo
Permalink
black-culture:

-@thesoulasylum: Black women are not a gay mans accessory to wear.

black-culture:

-@thesoulasylum: Black women are not a gay mans accessory to wear.


59,865 notes
reblogged via witchsistah
Permalink
philliciaglee:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

HISTORY

philliciaglee:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

HISTORY

(Source: melanskyyworld)


45,710 notes
reblogged via witchsistah
Permalink

tashabilities:

slimgoodymakeba:

onnaollie:

it’s truly amazing how some white women get so threatened when a black woman is shining. 

y’all say male egos are weak, but let’s try the ego of a white woman when a black woman is garnering a lot of positive attention. 

watch how suddenly they want the rules to change. gone is the solidarity that a woman’s body is her own, oh no, not for black women. now she needs to cover up and speak less.

image

SAY THAT SHIT


10,111 notes
reblogged via captainsaveyamammy
Permalink
10,158 notes
reblogged via captainsaveyamammy
Permalink
dynastylnoire:

-imaginarythoughts-:

hipsterlibertarian:

In July I shared a story of an incident in which my city’s police stormed a man’s house looking for drugs in the middle of the night and executed his two (understandably startled) dogs. One of the dogs was shot to death while fleeing in fear, and as I noted then, this isn’t an isolated incident. Just a few years ago, the Saint Paul Police killed another family dog…and forced handcuffed children to sit next to its bleeding corpse. The kicker? The raid wasn’t even in the right house!
Now, a new report has surfaced of SPPD brutality. This time, a young father named Chris Lollie was arrested while waiting to pick up his kids from school. The charges were “Trespassing, Disorderly Conduct, and Obstructing Legal Process,” and police claimed he refused to leave an area reserved for employees of the bank building he was in. However, not only were there no signs indicating that the location was private, but Lollie wasn’t even in the bank proper; he was in the skyway.
(For those who aren’t familiar with the skyway system, it’s a thing we have in St. Paul, Minneapolis, and some other Minnesota cities. Basically, it gets hella cold here in the winter, so they built enclosed sidewalks, or skyways, one or two stories up. In the downtown areas, the skyways form a whole second network of pedestrian roads, and once you get inside your office building—or whichever building is closest to your parking garage or bus stop or whatever—you can use them to move from building to building to get around the whole downtown area. It’s an easy way to go to lunch or meetings without having the snot in your nostrils freeze. I mention all that to say: Skyways are public spaces. You do not have to be an employee in the buildings they connect to use them. Lollie was not trespassing.)
Fortunately, Lollie had the presence of mind to capture his interaction with the SPPD on film. Here’s a transcript I’ve made of the first few seconds:

Lollie: So what’s your business with me right now?
Officer: I want to find out who you are, and what the problem was back there…
Lollie: There is no problem—that’s the thing.
Officer: So, talk to me, let me know, and you can be on your way.
Lollie: Let you know…why do I have to let you know who I am? Who I am isn’t the problem.
Officer: Because that’s what police do when they get called.
Lollie: Well, I know my rights, first off. Secondly, I don’t have to let you know who I am if I haven’t broken any laws. Like I told him, I’m going to New Horizons [School] to pick up my kids at 10 o’clock. I was sitting there for ten minutes…

As the officer brushes aside his explanation and continues to illegally demand he identify himself, Lollie cuts to the chase: “The problem is I’m black. That’s the problem. No, it really is, because I didn’t do anything wrong.”
Next, Lollie and the female officer he’s been walking and talking with meet a male officer. When Lollie politely asks the officer not to touch or obstruct him, because he has to go get his kids, the man immediately responds, “Well, you’re going to go to jail then.”
As the police initiate the arrest process—telling him to put his hand behind his back or “otherwise things are going to get ugly"—the camera visuals go black. Lollie continues to be heard pleading, still polite even while he’s assaulted, that he be allowed to go meet his children.
Next, they tase him.
If that’s not enough to convince you that this is gross police misconduct, seriously, take five minutes and watch the video. The calmness of his tone alone should make it obvious that there is no possible argument that the situation merited this kind of police action:

After multiple witnesses verified Lollie’s version of events, prosecutors dropped all charges against him. One woman who is also not an employee at the bank the skyway links noted that she regularly sits during her lunch break exactly where Lollie was sitting, but she has never been harassed by police. However, the SPPD continue to defend their actions.
At The Atlantic, Conor Friedersdorf points out how simple it would have been for police to resolve this situation without violence and an arrest had they cared to do so:

His story about getting his kids wasn’t merely plausible, given the man’s age and the fact that there was a school right there–it was a story the female police officer shown at the beginning of the video or the male officer shown later could easily confirm. 
Lollie is also absolutely correct that no law required him to show an ID to police officers. As Flex Your Rights explains, “Police can never compel you to identify yourself without reasonable suspicion to believe you’re involved in illegal activity,” and while 24 states have passed “stop and identify” statutes “requiring citizens to reveal their identity when officers have reasonable suspicion to believe criminal activity may be taking place,” Minnesota isn’t one of those states.

The female officer shown in the beginning of the video could easily have de-escalated the encounter by saying, “You’re right, sir, you have every right to refuse to show me identification, and if you’re just picking up your kids I’m so sorry to have bothered you. If you don’t mind, I just want to walk with you to confirm that your story checks out so I can inform the 911 caller of their error. That way we can make sure this never happens again when you’re just here to pick up your kids.”
Or she could’ve said, “Sir, I totally see why this is confusing–a lot of people would think so. Let me try to explain. That totally looks like a public seating area, but it’s actually private. Don’t you think they should have a sign saying so? Calling me may seem like an overreaction, but technically they can ask you to leave. You’re walking away now, so there’s actually no problem as long as you’re not going to go back. Are you? Okay, then we have no problem, have a wonderful day.”  

As Lollie is carried away post-tasing, he can be heard challenging the officers’ “legal” assault: "Who are you? You don’t rule me. I didn’t do anything wrong. I didn’t hurt anybody. I didn’t touch anybody." 
If only the SPPD could honestly say the same.

That video that was being passed around yesterday

boooooooooooooooooooooost

dynastylnoire:

-imaginarythoughts-:

hipsterlibertarian:

In July I shared a story of an incident in which my city’s police stormed a man’s house looking for drugs in the middle of the night and executed his two (understandably startled) dogs. One of the dogs was shot to death while fleeing in fear, and as I noted then, this isn’t an isolated incident. Just a few years ago, the Saint Paul Police killed another family dog…and forced handcuffed children to sit next to its bleeding corpse. The kicker? The raid wasn’t even in the right house!

Now, a new report has surfaced of SPPD brutality. This time, a young father named Chris Lollie was arrested while waiting to pick up his kids from school. The charges wereTrespassing, Disorderly Conduct, and Obstructing Legal Process,” and police claimed he refused to leave an area reserved for employees of the bank building he was in. However, not only were there no signs indicating that the location was private, but Lollie wasn’t even in the bank proper; he was in the skyway.

(For those who aren’t familiar with the skyway system, it’s a thing we have in St. Paul, Minneapolis, and some other Minnesota cities. Basically, it gets hella cold here in the winter, so they built enclosed sidewalks, or skyways, one or two stories up. In the downtown areas, the skyways form a whole second network of pedestrian roads, and once you get inside your office building—or whichever building is closest to your parking garage or bus stop or whatever—you can use them to move from building to building to get around the whole downtown area. It’s an easy way to go to lunch or meetings without having the snot in your nostrils freeze. I mention all that to say: Skyways are public spaces. You do not have to be an employee in the buildings they connect to use them. Lollie was not trespassing.)

Fortunately, Lollie had the presence of mind to capture his interaction with the SPPD on film. Here’s a transcript I’ve made of the first few seconds:

Lollie: So what’s your business with me right now?

Officer: I want to find out who you are, and what the problem was back there…

Lollie: There is no problem—that’s the thing.

Officer: So, talk to me, let me know, and you can be on your way.

Lollie: Let you know…why do I have to let you know who I am? Who I am isn’t the problem.

Officer: Because that’s what police do when they get called.

Lollie: Well, I know my rights, first off. Secondly, I don’t have to let you know who I am if I haven’t broken any laws. Like I told him, I’m going to New Horizons [School] to pick up my kids at 10 o’clock. I was sitting there for ten minutes…

As the officer brushes aside his explanation and continues to illegally demand he identify himself, Lollie cuts to the chase: “The problem is I’m black. That’s the problem. No, it really is, because I didn’t do anything wrong.”

Next, Lollie and the female officer he’s been walking and talking with meet a male officer. When Lollie politely asks the officer not to touch or obstruct him, because he has to go get his kids, the man immediately responds, “Well, you’re going to go to jail then.”

As the police initiate the arrest process—telling him to put his hand behind his back or “otherwise things are going to get ugly"—the camera visuals go black. Lollie continues to be heard pleading, still polite even while he’s assaulted, that he be allowed to go meet his children.

Next, they tase him.

If that’s not enough to convince you that this is gross police misconduct, seriously, take five minutes and watch the video. The calmness of his tone alone should make it obvious that there is no possible argument that the situation merited this kind of police action:

After multiple witnesses verified Lollie’s version of events, prosecutors dropped all charges against him. One woman who is also not an employee at the bank the skyway links noted that she regularly sits during her lunch break exactly where Lollie was sitting, but she has never been harassed by police. However, the SPPD continue to defend their actions.

At The Atlantic, Conor Friedersdorf points out how simple it would have been for police to resolve this situation without violence and an arrest had they cared to do so:

His story about getting his kids wasn’t merely plausible, given the man’s age and the fact that there was a school right there–it was a story the female police officer shown at the beginning of the video or the male officer shown later could easily confirm. 

Lollie is also absolutely correct that no law required him to show an ID to police officers. As Flex Your Rights explains, “Police can never compel you to identify yourself without reasonable suspicion to believe you’re involved in illegal activity,” and while 24 states have passed “stop and identify” statutes “requiring citizens to reveal their identity when officers have reasonable suspicion to believe criminal activity may be taking place,” Minnesota isn’t one of those states.

The female officer shown in the beginning of the video could easily have de-escalated the encounter by saying, “You’re right, sir, you have every right to refuse to show me identification, and if you’re just picking up your kids I’m so sorry to have bothered you. If you don’t mind, I just want to walk with you to confirm that your story checks out so I can inform the 911 caller of their error. That way we can make sure this never happens again when you’re just here to pick up your kids.”

Or she could’ve said, “Sir, I totally see why this is confusing–a lot of people would think so. Let me try to explain. That totally looks like a public seating area, but it’s actually private. Don’t you think they should have a sign saying so? Calling me may seem like an overreaction, but technically they can ask you to leave. You’re walking away now, so there’s actually no problem as long as you’re not going to go back. Are you? Okay, then we have no problem, have a wonderful day.”  

As Lollie is carried away post-tasing, he can be heard challenging the officers’ “legal” assault: "Who are you? You don’t rule me. I didn’t do anything wrong. I didn’t hurt anybody. I didn’t touch anybody."

If only the SPPD could honestly say the same.

That video that was being passed around yesterday

boooooooooooooooooooooost


22,480 notes
reblogged via witchsistah
Permalink
tramampoline:

mynaturalsistas:

But are you paying attention to what’s going on??? My heart is so heavy….. so heavy…
An attorney for the family of John Crawford III, the man fatally shot by police in an Ohio Walmart store, says surveillance video contradicts the police department’s version of events. Officers say Crawford refused to drop the pellet gun he was holding, but the video allegedly shows them gunning him down “on sight.”
Crawford, 22, was shopping at the Beavercreek, Ohio store on Aug. 5 whenpolice responded to another customer’s report that Crawford was carrying an AR-15 rifle. He was actually holding a pellet air rifle he had just picked up from a shelf in the store’s toy department.
Attorney Michael Wright says he viewed surveillance video that shows Crawford was facing away from the cops and talking to his girlfriend on the phone when police spotted him, and didn’t have the toy gun raised. Hetold WDTN Crawford probably didn’t see or hear the officers before he was shot.
"John was doing nothing wrong in Walmart, nothing more, nothing less than shopping,"Wright said, according to Reuters.
#johncrawford #rip #justice #dontshoot

but then u have white people in target carrying actual rifles and no one does shit

tramampoline:

mynaturalsistas:

But are you paying attention to what’s going on??? My heart is so heavy….. so heavy…

An attorney for the family of John Crawford III, the man fatally shot by police in an Ohio Walmart store, says surveillance video contradicts the police department’s version of events. Officers say Crawford refused to drop the pellet gun he was holding, but the video allegedly shows them gunning him down “on sight.”

Crawford, 22, was shopping at the Beavercreek, Ohio store on Aug. 5 whenpolice responded to another customer’s report that Crawford was carrying an AR-15 rifle. He was actually holding a pellet air rifle he had just picked up from a shelf in the store’s toy department.

Attorney Michael Wright says he viewed surveillance video that shows Crawford was facing away from the cops and talking to his girlfriend on the phone when police spotted him, and didn’t have the toy gun raised. Hetold WDTN Crawford probably didn’t see or hear the officers before he was shot.

"John was doing nothing wrong in Walmart, nothing more, nothing less than shopping,"Wright said, according to Reuters.

#johncrawford #rip #justice #dontshoot

but then u have white people in target carrying actual rifles and no one does shit


35,928 notes
reblogged via witchsistah
Permalink

PSA

shantrinas:

You can compliment a woman by not mentioning what you’d like to do to her sexually.

You can compliment women by not mentioning sex.

Compliments don’t revolve around genitals. 

Telling a woman you want to have sex with her is NOT a compliment.

That is all. 


6,889 notes
reblogged via ratchet-introvert
~ Friday, August 29 ~
Permalink
I got into an argument with white people on tumblr about this very subject.  Hopefully I or someone can find that post on here!!!!

I got into an argument with white people on tumblr about this very subject. Hopefully I or someone can find that post on here!!!!

Tags: whitesupremacy whitepeople whiteprivilege race racism America blackpeople Africanamerican
~ Thursday, August 28 ~
Permalink

how to identify “boy” clothes and “girl” clothes

oeshka:

windschanging:

valkubus-shipper:

patrocluschironides:

are you a boy? your clothes are boy clothes.

are you a girl? your clothes are girl clothes.

are you outside the binary of boy and girl? so are your clothes.

did someone just tell you your clothes don’t match your gender identity? they are a trashcan and their clothes are trashcan clothes.

Or in the words of Eddie Izzard.. 

Because this cannot be reblogged enough.

Screaming silently in adoration

(Source: kinginawolfsuit)


221,328 notes
reblogged via pppasta
Permalink

lopmon:

yzma:

IM FUCKING YELLING

OMG

Thats fucked up lol

(Source: squarter)


15,133 notes
reblogged via bellecosby
Permalink

thelesbianguide:

glowcloud:

slimydad:

aztec420:

FUCK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

how does something this small even exist? is this a pig molecule? i need to lay down a while

boop boo boop boo boop boop boop

this just made me so happy

Omg to adorbz

(Source: eviljovan)


252,739 notes
reblogged via gaaayyyyyyy
Permalink
39,756 notes
reblogged via gaaayyyyyyy
Permalink
rtamerica:

Black TV producer on way to Emmys party mistaken for bank robber, handcuffed, held for six hours
An African-American film producer in Beverly Hills for an Emmy pre-party was handcuffed and detained for around six hours on Friday night as police believed he fit the description of a suspect in a nearby bank robbery.
Charles Belk said he left a restaurant alone to refill a parking meter when he was suddenly surrounded by six police cars “handcuffed very tightly, fully searched for weapons, and placed back on the curb,”  he wrote on his Facebook page with an accompanying photo of him sitting on the curb as two police officers stand close by. 

rtamerica:

Black TV producer on way to Emmys party mistaken for bank robber, handcuffed, held for six hours

An African-American film producer in Beverly Hills for an Emmy pre-party was handcuffed and detained for around six hours on Friday night as police believed he fit the description of a suspect in a nearby bank robbery.

Charles Belk said he left a restaurant alone to refill a parking meter when he was suddenly surrounded by six police cars “handcuffed very tightly, fully searched for weapons, and placed back on the curb,” he wrote on his Facebook page with an accompanying photo of him sitting on the curb as two police officers stand close by. 


22,721 notes
reblogged via fyeahcracker
Permalink
Reasons why I feel like BET setup Karrueche to talk about Blue. They are pressed because Beyonce performed at the Vmas and not for BET

Reasons why I feel like BET setup Karrueche to talk about Blue. They are pressed because Beyonce performed at the Vmas and not for BET

(Source: bellecosby)


6,610 notes
reblogged via fyeahcracker